Myths and mythologies
On the heels of my visit to New York to see contemporary interpretations of Medusa and Pandora at Danese Corey, I recently toured Oxford Gallery’s Myth’s and Mythologies. The invitation to this themed group show went out half a year ago and the results are thought-provoking, rewarding, and occasionally stunning, built around various interpretations of mythological figures as well as modern “myths” begging to be busted—the glory of motherhood, in one case, and “trickle-down economics” in another. In other words, there’s a little something for everyone. It ranges from an astonishingly beautiful example of classical sculpture in cararra marble from Italy to a minimalist abstraction painted on a metal panel. A small figure of Daphne, carved by Dario Tazzioli at his studio in Italy, has already been sold—the highest priced piece in the exhibit. It’s easy to see why: astonishingly well done, the female figure seeming to reach up and dissolve into a filigree of roots and branches around her head so delicate that it’s hard to imagine how the sculptor did it. It’s a rare example of centuries-old artistry done by someone trained in Renaissance techniques, using the kind of marble Michelangelo used and a bow drill—reason alone to visit the show. At the other end of the spectrum is Ryan Schroeder’s “Trickle Down Economics,” a large, vigorously executed oil showing the half-demolished interior of an abandoned building, with what appears to be a sinkhole almost underfoot—overall a sardonic reflection on how one man’s ceiling is another one’s floor, economically speaking.
Most of the work relies on traditional mythology. Icarus gets a lot of attention here, as does Persephone, as well as a crew of other Greek or Roman figures: Medusa, Pluto, Neptune, Pandora, Romulus and Remus, Cupid and Psyche, and Pegasus. But the subjects are wide-ranging and the artists find clever ways to put a mythical spin MORE