Sexy yet serene

Hope, Yolanda Heijnen, oil on canvas, 48″ x 60″

This large oil on canvas is from the recently published INPA 8, from Manifest Creative Research in Cincinnati. (I’m going to post a series of paintings I love from the publication over the next couple weeks or more.) This is one of two offerings Manifest selected from Yolande Heijnen, of New York City. The remarkable handling of the paint gives the image the quality of something seen through a streaked, clouded window, yet it also flattens out what appears to be a couch or bed where the woman kneels in a surrendering pose. The way in which the artist abbreviates the blue sheen of the cloth in loose handling on a tan undercoat, with that one crisp line to designate a seam in upholstery or slipcover or bedspread, works beautifully to convey a tactile sense of the fabric without indicating any level of detail at all. The assertively, sensuously unfinished quality of the painting reminds me strongly of Diarmuid Kelley–and Mark Tennant to a lesser degree, though with Tennant there’s less love of the paint itself and an a more acerbic emotional distance from what’s depicted. This is an economical study in three or four colors, depending on how you parse it: dark gray, dull blue, yellow tan for the furniture and redder tan for the skin tones.

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