{"id":1773,"date":"2012-09-06T11:28:44","date_gmt":"2012-09-06T11:28:44","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=1773"},"modified":"2012-09-06T12:12:35","modified_gmt":"2012-09-06T12:12:35","slug":"true-dat","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=1773","title":{"rendered":"History’s over"},"content":{"rendered":"

\"\"<\/a><\/p>\n

From an essay in a forthcoming book of Martinez drawings: <\/em><\/span><\/span><\/span><\/span><\/span><\/p>\n

Martinez<\/a> isn’t afraid to make abstract expressionist paintings or cubist paintings or whatever. Movements and styles don’t have a sell by date. As long as artists can genuinely expand on a movement (I think groove is actually a better word) its completely valid. Dada and surrealism are as relevant today as ever, whatever they’re called. Eddie Martinez isn’t snowed by the notion of progress in art, as 99% of artists are. What makes his art really modern or contemporary is that it’s a powerful reflection of this moment, it vibrates with the rhythm of our microsecond saturated, overdubbed, post-logical era. This is an era that has outlasted art movements and hidden beauty away where the salesmen can’t readily find it. This is a moment where every artist is fighting a sketchbook war, informed and sustained by secret muses,against historians wired into suicide vests working for international banks. The artists might be making money, but they know it’s money with secret codes set to go off when least expected. <\/em><\/span><\/span><\/span><\/span><\/span><\/p>\n

Glenn O’Brien<\/strong><\/em><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

From an essay in a forthcoming book of Martinez drawings: Martinez isn’t afraid to make abstract expressionist paintings or cubist paintings or whatever. Movements and styles don’t have a sell by date. As long as artists can genuinely expand on a movement (I think groove is actually a better word) its completely valid. Dada and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1773","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nHistory's over - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=1773\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"History's over - represent\" \/>\n<meta property=\"og:description\" content=\"From an essay in a forthcoming book of Martinez drawings: Martinez isn’t afraid to make abstract expressionist paintings or cubist paintings or whatever. Movements and styles don’t have a sell by date. As long as artists can genuinely expand on a movement (I think groove is actually a better word) its completely valid. 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