{"id":3830,"date":"2013-10-29T23:02:51","date_gmt":"2013-10-29T23:02:51","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=3830"},"modified":"2013-10-30T09:38:48","modified_gmt":"2013-10-30T09:38:48","slug":"without-worrying-about-opinion","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=3830","title":{"rendered":"&#8220;. . . without worrying about opinion.&#8221;"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_3846\" style=\"width: 495px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2013\/10\/485px-\u00c9douard_Manet_-_Olympia.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3846\" class=\"size-full wp-image-3846\" alt=\"485px-\u00c9douard_Manet_-_Olympia\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2013\/10\/485px-\u00c9douard_Manet_-_Olympia.jpg\" width=\"485\" height=\"600\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2013\/10\/485px-\u00c9douard_Manet_-_Olympia.jpg 485w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2013\/10\/485px-\u00c9douard_Manet_-_Olympia-242x300.jpg 242w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><\/a><p id=\"caption-attachment-3846\" class=\"wp-caption-text\"><em>Olympia<\/em>, detail.<\/p><\/div>\n<p>From <em>David and Goliath<\/em>, Malcolm Gladwell&#8217;s new book, published earlier this month:<\/p>\n<p>There are in Paris scarcely fifteen art-lovers capable of liking a painting without Salon approval,&#8221; Renoir once said. &#8220;There are 80,000 who won&#8217;t buy so much as a nose from a painter who is not hung at the Salon.&#8221;<\/p>\n<p>When the artist Jules Holtzapffel didn&#8217;t make it into the Salon of 1866, he shot himself in the head. &#8220;The members of the jury have rejected me. Therefore I have no talent,&#8221; read his suicide note. &#8220;I must die.&#8221;<\/p>\n<p>in 1865, the Salon, surprisingly, accepted a painting by Manet of a prostitute, called <em>Olympia<\/em>, and the painting sent all of Paris into an uproar. Guards had to be placed around the painting to keep the crowds of spectators at bay.<\/p>\n<p>in 1968, Renoir, Bazille, and Monet managed to get paintings accepted by the Salon. But halfway through the Salon&#8217;s six-week run, their works were removed from the main exhibition space and exiled to the <em>depotoir<\/em>&#8211;the rubbish dump&#8211;a small, dark room in the back of the building, where paintings considered to be failures were relocated. It was almost as bad as not being accepted at all.<\/p>\n<p>Did they want to be a Little Fish in a Big Pond of the Salon or a Big Fish in a Little Pond of their own choosing? In the end, the Impressionists made the right choice.<\/p>\n<p>The Impressionist&#8217;s exhibition opened on April 15, 1874, and lasted one month. &#8220;We are beginning to make ourselves a niche,&#8221; a hopeful Pissarro wrote to a friend. &#8220;We have succeeded as intruders in setting up our little banner in the midst of the crowd.&#8221; Their challenge was &#8220;to advance without worrying about opinion.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; From David and Goliath, Malcolm Gladwell&#8217;s new book, published earlier this month: There are in Paris scarcely fifteen art-lovers capable of liking a painting without Salon approval,&#8221; Renoir once said. &#8220;There are 80,000 who won&#8217;t buy so much as a nose from a painter who is not hung at the Salon.&#8221; When the artist [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3830","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;. . . without worrying about opinion.&quot; 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