{"id":4314,"date":"2014-03-09T13:35:33","date_gmt":"2014-03-09T13:35:33","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=4314"},"modified":"2014-03-08T18:19:41","modified_gmt":"2014-03-08T18:19:41","slug":"scorsese-on-art","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=4314","title":{"rendered":"Scorsese on art"},"content":{"rendered":"<p><a href=\"http:\/\/www.criterion.com\/explore\/214-martin-scorsese-s-top-10?utm_medium=email&amp;utm_campaign=the_criterion_collection_newsletter_february_2014&amp;utm_content=the_criterion_collection_newsletter_february_2014+CID_b46c1783a3bafc04d2ce96d8147070ba&amp;utm_source=Campaign%20Monitor&amp;utm_term=View%20Scorseses%20selections\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4315\" alt=\"red shoes\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/03\/red-shoes.jpg\" width=\"348\" height=\"374\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/03\/red-shoes.jpg 348w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/03\/red-shoes-279x300.jpg 279w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/a><\/p>\n<p>From the Criterion website, Scorsese on Powell and Pressburger&#8217;s <em>The Red Shoes<\/em>, with some comments that could apply to art in general:<\/p>\n<p style=\"padding-left: 30px;\">I\u2019ve said and written so much about this picture over the years; for me it\u2019s always been one of the very greatest ever made, and every time I go back to look at it\u2014about once a year\u2014it\u2019s new: it reveals another side, another level, and it goes deeper. What is it that\u2019s so special about\u00a0<i>The Red Shoes<\/i>? Of course, it\u2019s beautiful, one of the most beautiful Technicolor films ever made; it has such an extraordinary sense of magic\u2014look again at the scene where Moira Shearer is walking up the steps to Anton Walbrook\u2019s villa, especially in the new restoration: it seems like she\u2019s floating on currents of sparkling light and air. And there\u2019s no other picture that dramatizes and visualizes the overwhelming obsession of art, the way it can take over your life. But on a deeper level, in the movement and energy of the filmmaking itself, is a deep and abiding love of art, a\u00a0<i>belief<\/i>\u00a0in art as a genuinely transcendent state.<\/p>\n<p style=\"padding-left: 30px;\">&#8212;<a href=\"http:\/\/www.criterion.com\/films\/233-the-red-shoes\" target=\"_blank\">Martin Scorsese<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the Criterion website, Scorsese on Powell and Pressburger&#8217;s The Red Shoes, with some comments that could apply to art in general: I\u2019ve said and written so much about this picture over the years; for me it\u2019s always been one of the very greatest ever made, and every time I go back to look at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4314","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Scorsese on art - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=4314\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scorsese on art - represent\" \/>\n<meta property=\"og:description\" content=\"From the Criterion website, Scorsese on Powell and Pressburger&#8217;s The Red Shoes, with some comments that could apply to art in general: I\u2019ve said and written so much about this picture over the years; 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