{"id":4444,"date":"2014-04-10T12:54:33","date_gmt":"2014-04-10T12:54:33","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=4444"},"modified":"2014-04-08T11:32:30","modified_gmt":"2014-04-08T11:32:30","slug":"sue-mcnally","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=4444","title":{"rendered":"Sue McNally"},"content":{"rendered":"
\"Spring<\/a>

Spring Eclipse after Burchfield, Sue McNally, oil on canvas<\/p><\/div>\n

Wonderful painting. Instantly recognizable as a “cover version “–in musical terms–of Burchfield’s painting, and yet it stands on its own perfectly, and is clearly the work of this artist, Sue McNally. A great example of how creative work can draw deeply from earlier art, without “commenting” on it in a postmodern way, but simply by absorbing what was most powerful in the past and extending, deepening it, personalizing it.<\/p>\n","protected":false},"excerpt":{"rendered":"

Wonderful painting. Instantly recognizable as a “cover version “–in musical terms–of Burchfield’s painting, and yet it stands on its own perfectly, and is clearly the work of this artist, Sue McNally. A great example of how creative work can draw deeply from earlier art, without “commenting” on it in a postmodern way, but simply by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4444","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nSue McNally - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=4444\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sue McNally - represent\" \/>\n<meta property=\"og:description\" content=\"Wonderful painting. Instantly recognizable as a “cover version “–in musical terms–of Burchfield’s painting, and yet it stands on its own perfectly, and is clearly the work of this artist, Sue McNally. 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