{"id":450,"date":"2011-09-03T12:33:26","date_gmt":"2011-09-03T12:33:26","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=450"},"modified":"2011-09-13T00:21:55","modified_gmt":"2011-09-13T00:21:55","slug":"kandinskys-inner-necessity","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=450","title":{"rendered":"Kandinsky&#8217;s inner necessity"},"content":{"rendered":"<div id=\"attachment_451\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2011\/09\/02.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-451\" class=\"size-medium wp-image-451\" title=\"Kandinsky\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2011\/09\/02-300x218.jpg\" alt=\"\" width=\"300\" height=\"218\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2011\/09\/02-300x218.jpg 300w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2011\/09\/02.jpg 487w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-451\" class=\"wp-caption-text\">&quot;Lyrical&quot;<\/p><\/div>\n<p>Two years ago, I attended the big Kandinsky show at the Guggenheim and found a long line stretching out of the coiled building, all the way to the corner of Fifth Avenue and E. 88th St. The cheerful, amused couple behind me laughed and the husband, or boyfriend, said, \u201cA good rain would shorten this line considerably.\u201d I said, \u201cYeah, what happened to that forecast anyway?\u201d I got a text from my son, Matt, about Michigan\u2019s win and Ohio State\u2019s loss\u2014<em><\/em>we\u2019ll be chanting <em>Go Blue<\/em> again this afternoon during the first game of Michigan\u2019s new season\u2014and we texted until I walked into the building for another fifteen minute crawl through a serpentine line. It reminded me of Disney World\u2019s switchback queues, and it was at least encouraging that a painting exhibition could still draw long lines of people willing to pay for a glimpse of it. Inside, I went up the elevator to the top of the spiral and wandered slowly down, against the flow of the crowd. For me, the work at the end of Kandinsky\u2019s life was so lifeless as to be almost comical, and I wondered, knowing what was to come from the artist during the heat of his younger explorations, how such a visionary, inspired innovator could have shrunken into the safety of those geometric puzzles. He began his career talking about painting images at the bidding of an indeterminate inner necessity, a spiritual imperative, back when he referred to color as an instrument for creating visual music. Yet, as the years passed, he eventually became involved in Theosophy, as a way of systematizing the mystery of his intuitions, and it isn&#8217;t hard to imagine that Blavatsky&#8217;s odd theories about geometry took hold of his imagination. It isn&#8217;t that the later paintings fail, they just aren&#8217;t nearly as alive as his early work: you can see the way thought has taken charge, as the paintings become more and more visually predictable.<\/p>\n<p>Strolling downward, I enjoyed the pull of gravity in the grade of that spiral mezzanine\u2014Matthew Barney\u2019s Cremaster show being the last time I\u2019d been in the museum\u2014as it drew me into work that went backward in time but upward in quality, until the line and color began to come apart and the storms of light and dark and the riot of brushwork dissolved the visual order of his paintings in a way that flooded me with sensations and flashes of buried seasonal memories, complex mixtures of emotion and visual perception. I remembered the two oils of his you can see briefly at the Chicago Art Institute in <em>Ferris Bueller\u2019s Day Off<\/em>, when Ferris and his fellow truants wander about that great museum. A pair of early Kandinsky oils appear for a second, at most, backed by minor-key, oceanic music,<!--moreMore--> so beautiful and haunting the whole thing makes you want to rewind and pause, forgetting about the rest of what happens in the story. And now, at the Guggenheim, like Ferris,\u00a0 I came upon two paintings, side by side, that had an equal evocative power,\u00a0 from his early years: seemingly windswept inscapes with variations of green and blue unlike those hues in any other painting I\u2019ve ever seen. To create those colors in and of themselves was an achievement, but they offered more than a visual sensation, evoking an entire life, an unfinished world, apprehended through the eyes and the heart. Kandinsky transplanted that thirsty heart of his into those paintings, and I imagined him full of a joy only a painter knows, watching as something intangible, ineffable, slowly and seemingly on its own becomes visible for the first time\u2014those colors revealing themselves as he painted them. That was the inner necessity he spoke of, back when he was doing work he couldn&#8217;t explain away.<\/p>\n<p>But the most surprising moment in the entire tour was when I wandered outside the whorl of the central ramp and chanced upon one of the side galleries, on the third level I think, where the curator had assembled Kandinsky\u2019s work on paper. If only he had quit painting in oil after those early years and switched entirely to paper. This geometric work was full of life, having a long, private and extremely productive conversation with the watercolors of Paul Klee. I\u2019m convinced these artists both used air brushes: there is no other way Kandinsky could have achieved the speckled veils of paint. The gradations are far too subtle and uniform. There\u2019s little evidence of brushwork: it\u2019s all line and marvelously tinted fog. The humor, personality, whimsical and dreamlike quality of these images make his oil paintings seem stilted and clumsy. And yet he was working in essentially the same geometric world, probably at the same time\u2014though I didn\u2019t check the dates. Isn&#8217;t that often the case, though? Van Gogh\u2019s drawings have a calligraphic vitality that his masterful paintings can\u2019t quite attain, as great as they are, on their own terms\u2014they don&#8217;t have that direct conveyance of the slightest intuition into line. Bruegel\u2019s paintings are some of the most profound images from the Renaissance: complex, evoking worlds impossible to convey in words. And yet his line drawings look absolutely contemporary, and seem as if they could have been done yesterday, still breathing with the life of his hand. Blake believed, almost as an article of his personal faith, that works done in water-based paint were the only works that matter, where line and form and light and color could reveal themselves in a way no oil painting could ever achieve. The lesson: go to Kandinsky\u2019s oils early in his career and then switch to his work on paper, if you want to see how his spirit survived the aging of body and mind. It moved through oil in the beginning but swerved into water toward the end, like Rilke&#8217;s swan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two years ago, I attended the big Kandinsky show at the Guggenheim and found a long line stretching out of the coiled building, all the way to the corner of Fifth Avenue and E. 88th St. The cheerful, amused couple behind me laughed and the husband, or boyfriend, said, \u201cA good rain would shorten this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-450","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kandinsky&#039;s inner necessity - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=450\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kandinsky&#039;s inner necessity - 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