{"id":4561,"date":"2014-05-11T18:13:35","date_gmt":"2014-05-11T18:13:35","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=4561"},"modified":"2014-05-08T18:24:47","modified_gmt":"2014-05-08T18:24:47","slug":"old-masters-play-the-game","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=4561","title":{"rendered":"Old Masters muddy the waters"},"content":{"rendered":"<div id=\"attachment_4562\" style=\"width: 505px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.huffingtonpost.com\/john-seed\/artists-statements-of-the_b_5236002.html?utm_content=buffer52e05&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4562\" class=\" wp-image-4562 \" alt=\"titian\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/05\/titian.jpg\" width=\"495\" height=\"350\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/05\/titian.jpg 550w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/05\/titian-300x212.jpg 300w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><\/a><p id=\"caption-attachment-4562\" class=\"wp-caption-text\">The Venus of Urbino, Titian<\/p><\/div>\n<p>Great, funny piece from <a href=\"http:\/\/www.huffingtonpost.com\/john-seed\/artists-statements-of-the_b_5236002.html?utm_content=buffer52e05&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer\" target=\"_blank\">Huffington<\/a> on how the Old Masters might have indulged in some obscurantist theorizing about their own work in order to be taken seriously, had they been contending with a postmodern academy. Sample from a contemporary Titian:<\/p>\n<p style=\"padding-left: 30px;\">&#8220;Woman, goddess, subject, object and signifier: Venus activates both the Utopian and Dystopian spaces of the Venetian Palazzo. By inducing an affirmative valence of feminine\/objective lucidity Venus poses a question: has our tendency to privatize desire further affirmed or disenfranchised her archetypal significance?&#8221;<\/p>\n<p>\u00a0The post concludes beautifully with:<\/p>\n<p style=\"padding-left: 30px;\">&#8220;Life etches itself onto our faces as we grow older, showing our violence, excesses or kindnesses.&#8221;<\/p>\n<p style=\"padding-left: 30px;\">&#8211; Rembrandt Van Rijn<\/p>\n<p style=\"padding-left: 30px;\"><em>That<\/em>\u00a0is what an actual artist&#8217;s statement sounds like&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Great, funny piece from Huffington on how the Old Masters might have indulged in some obscurantist theorizing about their own work in order to be taken seriously, had they been contending with a postmodern academy. Sample from a contemporary Titian: &#8220;Woman, goddess, subject, object and signifier: Venus activates both the Utopian and Dystopian spaces of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4561","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Old Masters muddy the waters - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=4561\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Old Masters muddy the waters - represent\" \/>\n<meta property=\"og:description\" content=\"Great, funny piece from Huffington on how the Old Masters might have indulged in some obscurantist theorizing about their own work in order to be taken seriously, had they been contending with a postmodern academy. 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