{"id":4920,"date":"2014-09-05T11:01:53","date_gmt":"2014-09-05T11:01:53","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=4920"},"modified":"2014-09-03T11:10:51","modified_gmt":"2014-09-03T11:10:51","slug":"a-river-runs-through-it","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=4920","title":{"rendered":"A river runs through it"},"content":{"rendered":"<div id=\"attachment_4921\" style=\"width: 588px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/en.louisiana.dk\/exhibition\/olafur-eliasson\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4921\" class=\"wp-image-4921 size-full\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/09\/riverbed.jpg\" alt=\"riverbed\" width=\"578\" height=\"507\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/09\/riverbed.jpg 578w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2014\/09\/riverbed-300x263.jpg 300w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><\/a><p id=\"caption-attachment-4921\" class=\"wp-caption-text\">&#8220;Riverbed&#8221; at the Louisiana Museum of Modern Art<\/p><\/div>\n<p>&#8220;<span style=\"color: #282828;\">The drama of the work is unleashed only by the viewer\u2019s interaction with it. When, at the official unveiling last week, I spotted two small children gleefully trundling a boulder into the middle of the artificial stream I felt a lurch of horror \u2013 and not just because the children happened to be my own. So ingrained is our expectation of the imperative to look but not touch when encountering an artwork, that there is something disorienting about a piece that so openly invites intervention. Indeed, <a href=\"http:\/\/en.louisiana.dk\/exhibition\/olafur-eliasson\" target=\"_blank\">Riverbed<\/a> demands it; every visitor who walks across the unstable surface of this artificial landscape necessarily effects a transformation in it, causes damage of some kind.&#8221; \u00a0 \u00a0&#8212;<a href=\"http:\/\/www.telegraph.co.uk\/culture\/art\/art-reviews\/11055034\/Riverbed-by-Olafur-Eliasson-Louisiana-Museum-of-Modern-Art.html\" target=\"_blank\">The Telegraph<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The drama of the work is unleashed only by the viewer\u2019s interaction with it. When, at the official unveiling last week, I spotted two small children gleefully trundling a boulder into the middle of the artificial stream I felt a lurch of horror \u2013 and not just because the children happened to be my own. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4920","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A river runs through it - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=4920\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A river runs through it - represent\" \/>\n<meta property=\"og:description\" content=\"&#8220;The drama of the work is unleashed only by the viewer\u2019s interaction with it. 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