{"id":5939,"date":"2015-05-13T14:54:56","date_gmt":"2015-05-13T14:54:56","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=5939"},"modified":"2015-05-13T16:44:38","modified_gmt":"2015-05-13T16:44:38","slug":"fractal-buying-power","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=5939","title":{"rendered":"Fractal buying power"},"content":{"rendered":"<div id=\"attachment_5940\" style=\"width: 478px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2015\/05\/Women-of-Algiers.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5940\" class=\" wp-image-5940\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2015\/05\/Women-of-Algiers.jpg\" alt=\"Women of Algiers (Version 0), Picasso, $179 million\" width=\"468\" height=\"312\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2015\/05\/Women-of-Algiers.jpg 959w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2015\/05\/Women-of-Algiers-300x200.jpg 300w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/a><p id=\"caption-attachment-5940\" class=\"wp-caption-text\">Women of Algiers (Version 0), Picasso, $179 million<\/p><\/div>\n<p>This is an interesting\u00a0perspective on the bull market for enormously expensive, high-end art. From the <a href=\"http:\/\/www.nytimes.com\/2015\/05\/14\/upshot\/the-179-million-picasso-that-explains-global-inequality.html?hp&amp;action=click&amp;pgtype=Homepage&amp;module=second-column-region&amp;region=top-news&amp;WT.nav=top-news&amp;abt=0002&amp;abg=1\" target=\"_blank\">New York Times<\/a>. The analysis of the fractal patterns\u00a0of income distribution in the highest percentiles isn&#8217;t something I&#8217;ve read before:<\/p>\n<p class=\"story-body-text story-content\" style=\"padding-left: 30px;\" data-para-count=\"496\" data-total-count=\"728\">The astronomical rise in prices for the most-sought-after works of art over the last generation is in large part the story of rising global inequality. At its core, this is the simplest of economic math. The supply of <a class=\"meta-per\" title=\"More articles about Pablo Picasso.\" href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/p\/pablo_picasso\/index.html?inline=nyt-per\">Picasso<\/a> paintings or Giacometti sculptures (<a href=\"http:\/\/artsbeat.blogs.nytimes.com\/2015\/05\/11\/two-art-works-top-100-million-each-at-christies-sale\/\">one of which sold<\/a> for $141 million in the same auction this week) is fixed. But the number of people with the will and the resources to buy top-end art is rising, thanks to the distribution of extreme wealth.<\/p>\n<p id=\"story-continues-2\" class=\"story-body-text story-content\" style=\"padding-left: 30px;\" data-para-count=\"291\" data-total-count=\"1019\">One of the most important findings of the leading economists who study inequality is that wealth and incomes at the very top <a href=\"http:\/\/www.nytimes.com\/2014\/02\/11\/your-money\/even-among-the-richest-of-the-rich-fortunes-diverge.html\">are \u201cfractal.\u201d<\/a> What they mean is that when you zoom in on the upper end of wealth distribution, patterns repeat themselves in an ever more finely grained pattern.<\/p>\n<p class=\"story-body-text story-content\" style=\"padding-left: 30px;\" data-para-count=\"384\" data-total-count=\"1403\">Partners at law firms who are in the top 1 percent of all earners have seen their incomes rise faster than successful dentists who are in the top 10 percent. But by a similar margin C.E.O.s of large companies who are in the top 0.1 percent are seeing incomes rise faster than those law firm partners. Hedge fund managers in the top 0.01 percent are similarly outperforming the C.E.Os.<\/p>\n<p class=\"story-body-text story-content\" style=\"padding-left: 30px;\" data-para-count=\"356\" data-total-count=\"1759\">And the kind of people who can comfortably afford to pay a nine-figure sum for a Picasso, the top 0.001 percent, say, are doing still better than that.<\/p>\n<p class=\"story-body-text story-content\" data-para-count=\"356\" data-total-count=\"1759\"><a href=\"http:\/\/www.washingtonpost.com\/news\/morning-mix\/wp\/2015\/05\/12\/picasso-painting-sells-for-record-179-million-but-are-we-all-paying-the-price\/\" target=\"_blank\">The Washington Post<\/a> commented on the recent $179 million Picasso sale:<\/p>\n<p style=\"padding-left: 30px;\">This art market boom isn\u2019t as pretty a picture as it seems, however. First, there are worries that it\u2019s all a bubble that could burst\u00a0at any moment. But then there are bigger concerns about\u00a0the wider societal\u00a0costs of\u00a0such an inflated art\u00a0scene.<\/p>\n<p style=\"padding-left: 30px;\">The person\u00a0who purchased Picasso\u2019s masterpiece may be anonymous. But there are signs that we are all paying the price for such extravagant private auctions. Public museums can\u2019t keep up with soaring\u00a0prices. Now the magisterial\u00a0\u201cWomen of Algiers\u201d\u00a0could\u00a0disappear back into\u00a0a dark mansion den or, even worse, <a href=\"http:\/\/www.economist.com\/news\/briefing\/21590353-ever-more-wealth-being-parked-fancy-storage-facilities-some-customers-they-are\" target=\"_blank\">a climate-controlled, tax-exempt airport warehouse<\/a> until it has appreciated sufficiently in value.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is an interesting\u00a0perspective on the bull market for enormously expensive, high-end art. From the New York Times. The analysis of the fractal patterns\u00a0of income distribution in the highest percentiles isn&#8217;t something I&#8217;ve read before: The astronomical rise in prices for the most-sought-after works of art over the last generation is in large part the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5939","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fractal buying power - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=5939\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fractal buying power - represent\" \/>\n<meta property=\"og:description\" content=\"This is an interesting\u00a0perspective on the bull market for enormously expensive, high-end art. 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