{"id":7310,"date":"2016-12-18T23:59:03","date_gmt":"2016-12-18T23:59:03","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=7310"},"modified":"2016-12-12T23:59:18","modified_gmt":"2016-12-12T23:59:18","slug":"manifest-opportunities","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=7310","title":{"rendered":"Manifest opportunities"},"content":{"rendered":"
\n

\"\"<\/a><\/strong><\/p>\n

\n

SPACE
\nArt About the Between<\/em><\/b><\/p>\n

Clay is molded to make a vessel, but the utility of the vessel lies in the space where there is nothing. Thus, taking advantage of what is, we recognize the utility of what is not. <\/em>\u00a0\u2013\u00a0Laozi
\nThis is not a call for works about outer space. Rather it is a call for works which explore the subtler concept of the distances or spaces between things, or spaces which things occupy. Examples include, but are by no means limited to NEGATIVE SPACE, EMPTY SPACE, DISTANCE, POSITIVE SPACE, DEPTH, PERSONAL SPACE, and so on.<\/p>\n

People often take space for granted, neglecting to respect its importance in defining our world and understanding of reality. Our interest in how this theme is addressed by visual art is broad, and artists may interpret it widely when selecting works to submit. This call is an open question seeking an answer about how artists address space as a subject, or key aspect in the design and creation of their work.<\/p>\n

This theme is very open to interpretation and to any and all visual arts media.<\/span><\/p>\n

Submission deadline: January 4, 2017<\/span><\/span><\/strong>
\nhttp:\/\/www.manifestgallery.org\/space<\/a><\/p>\n

\n

PLACE<\/b><\/p>\n

Art About Location<\/em><\/b><\/p>\n

Designed to complement its sister exhibition, SPACE, this exhibit seeks worksthat explore the concept of specific location, whether that be from a conceptual standpoint or a more literal interpretation or depiction.<\/p>\n

We are open to very wide interpretation of this theme. Submitted works could include landscape, but may also be quite conceptual or metaphorical in their approach to the concept of place. The best results for this exhibit will involve a spectrum of diverse interpretations.<\/p>\n

Submission deadline: January 7,\u00a02017<\/span><\/span><\/strong>
\nhttp:\/\/www.manifestgallery.org\/place<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n

 <\/p>\n

DRAWN 2017
\nThe Fourth Annual International Exhibition of Contemporary Drawing<\/i><\/b><\/p>\n

Manifest<\/span> was founded in-part to stand for the importance of drawing as a process, skill, and discipline, and as a continuing viable product of the creative fine art and design fields. Since its inception our organization has continued to incorporate drawing-based programming, including education (Drawing Center), publications (INDA), and gallery exhibits into the broader spectrum of its projects. The students and professors who formed Manifest<\/span> in 2004 knew that despite their diverging career paths (architecture, art history, painting, industrial design, photography) they were brought together because of their connection to drawing and their mutually intense but multi-faceted pursuit of this fundamental discipline.<\/p>\n

In honor of the original spirit of the founding ideals of Manifest<\/span>, the gallery launched DRAWN as a new annual exhibition project marking the organization’s 10th season in 2014. DRAWN seeks to survey and present the broad scope of drawing being made today. This gallery exhibit is completely separate from the annual INDA publication project.<\/p>\n

DRAWN calls for artists to submit works of drawing in any media relevant to the practice, any style, and any genre (fine art, illustration, design, conceptual, realism, etc.).<\/p>\n

This exhibit has no predefined expectation for type or style of work to be considered or selected. Submissions can range from the most traditional to the most conceptual or experimental. The only criteria beyond excellent quality is that works must qualify as drawing, including that which tests the boundaries of the discipline.<\/p>\n

Submission deadline: February 20, 2017<\/span><\/span><\/strong>
\nhttp:\/\/www.manifestgallery.org\/drawn<\/a><\/p>\n

\n

 <\/p>\n

ONGOING CALL FOR WRITING<\/b><\/p>\n

Critical, Philosophical, Creative, Narrative, Poetic, or Historical Works Related to the Practices of DRAWING, PAINTING, PHOTOGRAPHY, or the Subject of LIGHT<\/em><\/b><\/p>\n

NOTE:\u00a0<\/i><\/b><\/span>Learn more about Manifest<\/span>‘s publications\u00a0<\/i>here<\/i><\/span><\/a>. All participating authors receive a complimentary copy of the\u00a0finished book their work is featured in.<\/i><\/p>\n

Written entries<\/b>\u00a0can be in any form (poetic, historical, technical, creative, narrative, philosophical) but should be directly relevant to one of the disciplines indicated (drawing, painting, photography\/light).<\/p>\n

Next Submission deadline: December 31,\u00a02016<\/span><\/span>\u00a0(drawing)<\/strong>
\nFor complete info visit:\u00a0<\/strong>http:\/\/www.manifestgallery.org\/writing<\/a><\/p>\n

Future exhibitions:<\/div>\n
<\/div>\n
13th Annual MAGNITUDE SEVEN (small works)<\/strong><\/div>\n
April 3, 2017<\/div>\n
(Blogger’s note: This is a great, long-standing tradition at Manifest, and the results are often astonishingly good. It isn’t easy being green, for a frog, but it isn’t any\u00a0easier being really small, for a work of art–or elsewhere in life, for that matter, except possibly for viruses.)<\/div>\n<\/div>\n

 <\/p>\n

<\/div>\n
In Memoriam<\/strong><\/div>\n
\n
\n
Works dealing with loss<\/div>\n
April 3, 2017<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
\n
Monochrome<\/strong><\/div>\n
\n

\u00a0Works\u00a0in a single color<\/p>\n

June 14, 2017<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

SPACE Art About the Between Clay is molded to make a vessel, but the utility of the vessel lies in the space where there is nothing. Thus, taking advantage of what is, we recognize the utility of what is not. \u00a0\u2013\u00a0Laozi This is not a call for works about outer space. Rather it is a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7310","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nManifest opportunities - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=7310\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manifest opportunities - represent\" \/>\n<meta property=\"og:description\" content=\"SPACE Art About the Between Clay is molded to make a vessel, but the utility of the vessel lies in the space where there is nothing. 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