{"id":7349,"date":"2017-01-01T15:10:09","date_gmt":"2017-01-01T15:10:09","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=7349"},"modified":"2017-01-02T13:38:12","modified_gmt":"2017-01-02T13:38:12","slug":"happy-new-year","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=7349","title":{"rendered":"Happy New Year"},"content":{"rendered":"<p><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7354 aligncenter\" src=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2017\/01\/vetrina-829x1024.jpg\" alt=\"vetrina\" width=\"488\" height=\"603\" srcset=\"https:\/\/thedorseypost.com\/wp-content\/uploads\/2017\/01\/vetrina-829x1024.jpg 829w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2017\/01\/vetrina-243x300.jpg 243w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2017\/01\/vetrina-768x949.jpg 768w, https:\/\/thedorseypost.com\/wp-content\/uploads\/2017\/01\/vetrina.jpg 1492w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/em>From the cover of the latest <em>American Arts Quarterly<\/em>, Richard Maury&#8217;s <em>Vetrina<\/em>, 2016, courtesy John Pence Gallery, San Francisco. His work reminds me of John Koch&#8217;s, but I love Maury&#8217;s work where I simply admire Koch&#8217;s. The light of a Koch interior is clearly the light of upper Manhattan, not the Mediterranean. It makes a huge difference\u00a0to live and work in Florence, Italy. Nothing is lost in Maury&#8217;s shadows&#8211;everything in one of his paintings is lucid, glowing\u00a0in a light that seems like the visual equivalent of happiness. That bright patch of yellow wall from the house across the way, glancing through the unseen window and bouncing off the glass of the framed drawing would have drawn as much praise from Proust as the little patch of yellow wall in the Vermeer he <a href=\"http:\/\/www.essentialvermeer.com\/proust\/proust.html#.WGkawOErKYU\">wrote<\/a> about&#8211;but which has never been identified conclusively. Gazing at a Richard Maury painting is a fitting way to begin a new year: his work makes me think the future is bright for painting, where anything and everything is still possible.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the cover of the latest American Arts Quarterly, Richard Maury&#8217;s Vetrina, 2016, courtesy John Pence Gallery, San Francisco. His work reminds me of John Koch&#8217;s, but I love Maury&#8217;s work where I simply admire Koch&#8217;s. The light of a Koch interior is clearly the light of upper Manhattan, not the Mediterranean. It makes a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7349","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Happy New Year - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=7349\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Happy New Year - represent\" \/>\n<meta property=\"og:description\" content=\"From the cover of the latest American Arts Quarterly, Richard Maury&#8217;s Vetrina, 2016, courtesy John Pence Gallery, San Francisco. His work reminds me of John Koch&#8217;s, but I love Maury&#8217;s work where I simply admire Koch&#8217;s. The light of a Koch interior is clearly the light of upper Manhattan, not the Mediterranean. 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