{"id":7499,"date":"2017-02-20T17:42:51","date_gmt":"2017-02-20T17:42:51","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=7499"},"modified":"2017-02-19T18:48:33","modified_gmt":"2017-02-19T18:48:33","slug":"to-manifest-life","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=7499","title":{"rendered":"To manifest life"},"content":{"rendered":"
\"Ryan<\/a>

Ryan Adams, a while ago<\/p><\/div>\n

You get the sense from some creative work, Proust’s maybe more than anyone who ever lived, that the author of the work\u00a0considered everything in some sense magically interesting or valuable–and this is where language offers no adjective for what a work of art actually conveys, the\u00a0isness<\/em>\u00a0of things. It isn’t that what’s being represented is valuable, or marvelous, or (pick any other available adjective.) It’s something else. What you sense from looking at a Van Gogh or reading\u00a0Swann’s Way<\/em>\u00a0is how the individual who created the work had what the fellow I’m going to quote below called\u00a0a total appreciation for life\u00a0<\/em>just as it is-with nothing left out, including the crime and the evil and the horrible suffering and injustice. Bruegel has this quality–there’s nothing that isn’t worthy of being painted, and when he paints it, it’s suddenly (again, try to imagine that non-existent adjective or noun). There’s no word for what’s going on in that transformation or disclosure that happens in art. Language\u00a0has no verb for the work being done by the painting or the novel.\u00a0Celebrate, affirm, savor, appreciate, cherish<\/em>–sorry, no. Below are seemingly extemporaneous observations that attempt to express\u00a0(bumping intentionally up against the limits of language and showing how words fail to capture what’s going on) the urge to create something that will\u00a0condense\u00a0life itself into\u00a0some created thing, or (what amounts to the same thing) alchemically make\u00a0something inanimate appear\u00a0to come alive. In a way, the urge to create is something like the will to be so aware of everything that you yourself are\u00a0fully alive<\/em>. These are remarks from the singer Ryan Adams, talking with Bob Boilen in the\u00a0most recent\u00a0episode<\/a>\u00a0of\u00a0NPR’s\u00a0All Songs Considered.\u00a0<\/em>It gets close to showing how impossible it is to say what’s really happening in great creative work, in any medium:<\/p>\n

You manifest a meaning from a thing to yourself, in whatever format, a painting, a poem, a song, an article, or a novel or a note to a friend or a drunken text or email or spray painting on brick walls or inappropriately decaling your car. You conjure this feeling. There’s this thing inside of human beings, this total appreciation of being alive.<\/em> It’s so profoundly in our gut. Even all of these people who would seemingly be horrible people, somewhere in there there’s this longing, this reaching up, and in the right way if it’s channeled, there’s some kind of a notion in them of \u201cI have to document this thing that I saw\u201d that becomes these songs, or these poems. We’re all in the high school of life and waiting for the teacher to turn around so we can take that pen we’ve been chewing on long enough that it’s got a sharp enough end that you could scratch your initials into that ventilator in gray\/blue paint over by the window. It’s the same thing as those beautiful drawings in caves, where you see pictures of horses and wild game they were hunting. That person that day was either thinking of how beautiful those animals were or how it felt to be out there with them that day.<\/p>\n","protected":false},"excerpt":{"rendered":"

You get the sense from some creative work, Proust’s maybe more than anyone who ever lived, that the author of the work\u00a0considered everything in some sense magically interesting or valuable–and this is where language offers no adjective for what a work of art actually conveys, the\u00a0isness\u00a0of things. It isn’t that what’s being represented is valuable, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7499","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nTo manifest life - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=7499\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To manifest life - represent\" \/>\n<meta property=\"og:description\" content=\"You get the sense from some creative work, Proust’s maybe more than anyone who ever lived, that the author of the work\u00a0considered everything in some sense magically interesting or valuable–and this is where language offers no adjective for what a work of art actually conveys, the\u00a0isness\u00a0of things. 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