{"id":8380,"date":"2019-01-29T22:49:21","date_gmt":"2019-01-29T22:49:21","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=8380"},"modified":"2019-01-29T22:49:21","modified_gmt":"2019-01-29T22:49:21","slug":"face-to-face","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=8380","title":{"rendered":"Face to face"},"content":{"rendered":"\n
\"\"
Dora Natella’s work in Similitude<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Manifest Gallery<\/a> has a new show, Similitude,\u00a0<\/em>through\u00a0Feb.\u00a022, devoted to contemporary portraiture. I wish I could get to Cincinnati to see it and another show revolving around the subject of sinks and chair. Sinks are a fascination for me, though I’ve only painted one from different angles and in different lights. Here is the overview of the show from the folks at the gallery: <\/p>\n\n\n\n

SIMILITUDE
The Contemporary Portrait<\/em><\/strong><\/p>\n\n\n\n

As we stated four years ago when we last approached the theme of portraiture, technology exacerbates people\u2019s retreat into the upper limb of their body, encouraging portraiture on a mass scale in the form of social networks such as Facebook and Instagram with their flood of ‘selfies’. Facial recognition tools which help sort photos of friends and family based on images of their face, and ‘facetime’ calling also put the focus on the front of the human head, and puts a premium on visual identity. The center of our humanity has coalesced into the mind, behind the face. When we think of each other, we (usually) start with the face. <\/p>\n\n\n\n

Recognition matters. Throughout art history the ability of the artist to not only capture a likeness but also the character and spirit, if you will, of the subject has defined whole careers.<\/p>\n","protected":false},"excerpt":{"rendered":"

Manifest Gallery has a new show, Similitude,\u00a0through\u00a0Feb.\u00a022, devoted to contemporary portraiture. I wish I could get to Cincinnati to see it and another show revolving around the subject of sinks and chair. Sinks are a fascination for me, though I’ve only painted one from different angles and in different lights. Here is the overview of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8380","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nFace to face - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=8380\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Face to face - represent\" \/>\n<meta property=\"og:description\" content=\"Manifest Gallery has a new show, Similitude,\u00a0through\u00a0Feb.\u00a022, devoted to contemporary portraiture. 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