{"id":9291,"date":"2020-11-07T21:21:10","date_gmt":"2020-11-07T21:21:10","guid":{"rendered":"https:\/\/thedorseypost.com\/?p=9291"},"modified":"2020-11-03T21:42:43","modified_gmt":"2020-11-03T21:42:43","slug":"tonalism-then","status":"publish","type":"post","link":"https:\/\/thedorseypost.com\/?p=9291","title":{"rendered":"Tonalism then"},"content":{"rendered":"
\"\"

George Henry, View of Venice, 28 x40, oil on canvas.<\/p><\/div>\n

As a follow up to my recent post<\/a> offering two contemporary Tonalist works at Oxford Gallery, this painting of Venice, by George Henry, was on view at the same time as the current work. This one is part of Jim Hall’s available inventory \"\"of historical Tonalist work. It’s an amazing painting, in many ways, not least of which is the impasto, stucco-like, surface of the oil. The paint is applied so generously, in multiple layers, that the tactile quality of its pebbly contours, the way in which shifts in tone create a relief map of color, is extraordinary. The overall impression is of a harbor bathed in a blindingly intense gold at sunset, but the way the paint is organized on the surface of the canvas is what’s most remarkable.\u00a0 Bogert’s life spanned a period of radical changes in technology and culture, and, of course, art.<\/p>\n

From Wikipedia: George Henry Bogert\u00a0(February 6, 1864 \u2013 December 13, 1944) was an American\u00a0landscape painter<\/a>.In 1911 an exhibit of his work was held at the\u00a0Albright-Knox Art Gallery<\/a>\u00a0in Buffalo, New York, and attracted widespread notice. His work is represented in the permanent collection of the\u00a0Buffalo Fine Arts Academy. <\/a><\/p>\n

His work has been displayed in the Metropolitan Museum of Art<\/a>,\u00a0National Gallery<\/a>,\u00a0Corcoran Gallery of Art<\/a>, Museum of Fine Arts, Boston<\/a>,\u00a0Huntington Library<\/a>,\u00a0Pennsylvania Academy<\/a>,\u00a0Brooklyn Museum<\/a>,\u00a0Edinburgh Museum<\/a>\u00a0in\u00a0Scotland<\/a>,\u00a0Shanghai Club<\/a>\u00a0in China,\u00a0Minneapolis Institute of Art<\/a>, and others, also in private collections, including those of\u00a0Andrew Carnegie<\/a>,\u00a0Clarence Mackay<\/a>, and\u00a0Thomas B. Clark<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

As a follow up to my recent post offering two contemporary Tonalist works at Oxford Gallery, this painting of Venice, by George Henry, was on view at the same time as the current work. This one is part of Jim Hall’s available inventory of historical Tonalist work. It’s an amazing painting, in many ways, not […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9291","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nTonalism then - represent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thedorseypost.com\/?p=9291\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tonalism then - represent\" \/>\n<meta property=\"og:description\" content=\"As a follow up to my recent post offering two contemporary Tonalist works at Oxford Gallery, this painting of Venice, by George Henry, was on view at the same time as the current work. 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