Perfect plaid

Audition #4, detail, Chris Hyndman, acrylic on canvas, 72″ x 48″

From INPA 8.  I have to say, this doesn’t look humanly possible, if it is painted in the traditional way–you know, uh, with brushes. The regularity and exactitude of the lines in the fabric, draped across what looks like a sheet of old Ben Day dots, the way in which little specks and lines of white backing show through the surface of the curtain fabric–it all looks as if it would require months to complete. Hyndman’s intentions are highly conceptual and the feel of the work resists emotional engagement. He says on his website that he imagines them as backdrops–like ambient music, presumably–for people to pose or express themselves, such as a prop for a stand-up comic. I can’t help feel there’s more going on here, at the technical level, than “acrylic on canvas” is willing to divulge, but if not, then these paintings are an astonishing act of hyper-obsessive skill.

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