the painting life
Marcel Proust
From the man who discovered an entire world in a cup of tea:
We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal’s Pensees in an advertisement for soap.
–Marcel Proust, The Fugitive
Maurice Butler, My God Is Gangsta, 2016, charcoal, spray paint on gessoed paper (detail) — @mauricepbutler.art (Manifest Gallery, Pennsylvania Regional Showcase Exhibition, Dec. 2017-Jan. 2018)
From Manifest, via email to exhibitors and members:
THE STAND
Manifest was built on taking a stand for principles of measured quality, experiential opportunity, philosophical openness, a respect for learned skill and craftsmanship, and a belief that excellence can arise from people of any age, race, gender, background, or geographic origin. Our nonprofit organization was founded sixteen years ago by students and teachers who saw a lack of these things in their world and sought to bring them about, creating a space—a platform if you will—for their manifestation. It was these principles that attracted and gained the involvement of artists from around the world—so many people very different from ourselves.
While this effort was admittedly supported by a privileged relationship to the visual arts and academic art world, even today it gives us a humble microscopic view of the larger position of our fellow Americans and citizens of the world. If you want something good in the world, you have to take action to bring it about. How this is done, the craftsmanship and philosophy, the empathy and truth to inner vision, and the work really matters. The How, What, and Why are everything. We must get these right together. We are seeing this work being done, and it is dangerous, powerful, and inspiring.
Like a work of art this country, this global civilization, must be made such that the whole is greater than the sum of its parts. Together we are so much more than what we are as individuals. This does not mean we must believe the same beliefs, nor think the same thoughts, or value the same experiences. But we do need to recognize our place as parts of the larger whole, and to embrace it in dynamic respectful balance, celebrating what it means to be here now, recognizing the frailty of a monumental system so much larger and more precious than ourselves.
Across sixteen years Manifest’s exhibits and publications have presented to the public the works of 3,250 artists from all 50 U.S. states and 43 different countries. We do not ask for headshots or ethnicity details when considering submissions of artwork, nor when exhibiting or publishing the final selections. Our belief has been that the artwork speaks for itself. We certainly know that many many of the artists we’ve been blessed with knowing and working with have been very different from ourselves, and this is based on more than just their vast global origins. The fact that so much of the world has been represented by the artists who chose to cross paths here, at Manifest in Cincinnati, Ohio, has meant all the difference in how we have viewed and valued our place in the world. Without them, without so many diverse creative energy sources, Manifest would not be what it is today. It is they who have made Manifest the Neighborhood Gallery for the World.
Now, and always, Manifest condemns the long-standing and systemic racism, inequality and injustice that is experienced by so many in our world. Unity is paramount.