David Smith
I’m happily painting every day again, to the neglect of other things, such as writing about painting. But I want to pass along a series of examples from the INPA 5, the latest international painting annual from Manifest Gallery. This detail, slightly cropped at the right edge, is of a painting done by David Smith, one of my favorite artists who exhibits regularly at Manifest in Cincinnati. He combines the subject and feel of classic Chinese scroll painting–misty camel-hump mountains–in a contemporary mode. Instead of water-based paint on paper, he’s using oil on plywood, and the integral role of the brushwork in traditional Chinese painting here has a gestural quality that reminds me of Richter’s abstraction. And yet it works perfectly to evoke nearly the same kind of world a Song dynasty painter-poet would have evoked. Would love to know more about Smith, how and why he paints in Hong Kong, and if he was born there or is an expatriate.
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